In her acclaimed first book, “Floating Coast,” historian Bathsheba Demuth explores how capitalism, communism and ecology have clashed for over 150 years in the remote region of Beringia, the Arctic lands and waters stretching between Russia and Canada. Demuth trekked through the landscape and historical archives in search of answers to questions such as: How did whales become known through the labor of their killing? What happened when human ideas of “progress” were subject to the pressures of arctic life? Why did the superpowers’ grand attempts to cultivate a reindeer farming industry fail? In this episode, we speak with Demuth about these questions and about how creatures like bowheads whales were understood, imagined, and treated vastly differently by three distinct groups of hunters over the past two centuries — indigenous Yupik and Inupiaq whalers, capitalist whalers, and communist whalers — and the fundamental role animals themselves played in how its history unfolded.
Nonhuman beings, and the passionate people who study them, animate Ed Yong’s vast, award-winning and kaleidoscopically varied body of journalism. His vivid stories explore the lives of scientists, the origins of life, social policy, whale hearts, the sixth extinction, the individuals we lose when a species vanishes or populations shrink, and the communities of tiny microbial beings that make us ourselves. To be at all, Yong demonstrates, is to be in partnership with other animals. In this episode, we speak with Yong about the wonders and burdens of telling stories about the animal world.
Philosopher and musician David Rothenberg has spent decades collecting and studying the calls of birds and whales. In the early 2000s, he began playing along with them, taking his clarinet and saxophone to some of the furthest corners of the planet. The result is a new form of music that invites us to question where art ends and science begins. We speak with David about his unorthodox project, Darwin’s theory of sexual selection, and what it’s like to accompany the sounds and songs of beings who may vanish from the earth.
Film director and producer Gabriela Cowperthwaite did not set out to make a film that would force a national moral reckoning over how we keep whales in captivity, slash the profits of Sea World, and make her the unexpected enemy number one of a multi-billion dollar industry. But that’s what happened. Her acclaimed film Blackfish tells the thrilling and heartbreaking story of Tilikum, an orca whale who killed three people while in captivity. Shot on a budget of just $76,000 and released in 2010, Blackfish has been viewed by more than 60 million people and has become one of the most impactful documentary films of all time. In the six years since its release, Sea World has ended its orca breeding program and pledged to phase out orca shows all together by the end of 2019. We speak with Gabriela about the making of Blackfish, the hazards of keeping cetaceans captive, and how her film catapulted her to the frontier of marine animal activism.
In 2007, our guest, Fabrice Schnoller, was sailing off the coast of Mauritius when he had an encounter that would change his life and open a new frontier in marine biology. As his boat neared land, huge pillars of steam burst out of the water. When Schnöller jumped in to investigate, he was overwhelmed by a crashing, creaking sound. It was the echolocation clicks of sperm whales, the bearers of the largest brains ever known to have existed on Earth. In addition to helping whales navigate, some evidence suggests that these clicks also function as a language. To investigate this possibility, Schnöller founded DAREWIN, the first initiative devoted to studying whale click communication and exposing it to the wider public. In the nine years since the project launched, Schnoller and his team have amassed the largest database of sperm whale vocalizations in history — all collected non-invasively, through free-diving. We speak with Schnöller about DAREWIN’s work, its pioneering methodology, and what it’s like to be X-rayed by a whale.
For decades, researchers have debated whether or not animals make friends. “Friends” — the taboo “f word” — was generally put in quotes if it was used at all. But if you study the social networks of elephants, whales and other animals, it is clear that they have friends just like we do, according to Dr. Nicholas Christakis. Friendship, like other societal characteristics, evolved independently and convergently across species.
Co-Director of the Yale Institute for Network Science, Dr. Christakis is a leading Yale sociologist and physician known for his research on human social networks and biosocial science. In this episode, he speaks with us about the ancient origins and modern implications of our common animality and his new book, Blueprint: The Evolutionary Origins of a Good Society.
During his travels in South America at the close of the 18th century, the German explorer Alexander von Humboldt came upon a parrot speaking the words of a lost Indian tribe. The encounter inspired our guest, acclaimed author and New York Times Magazine writer Charles Siebert, to imagine the echoes of human language that might persist, in nonhuman voices, once we are gone. We speak with Siebert about his reporting on humans’ wonder for and wounding of animals, the reach of metaphor, and what he discovered in the gaze of a chimpanzee named Roger.