Yale Institute of Sacred Music (ISM) is an interdisciplinary graduate center at Yale University that engages broadly with sacred music, worship, and the arts in diverse religious traditions and in civic life. The ISM podcast series focuses on different disciplines and perspectives that touch upon these subjects.
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In this episode of the ISM Fellows Podcast, Dr. Peter Boudreau sheds light on time in Byzantium through his work on Byzantine calendar icons. Dr. Boudreau also discusses the complexity of Byzantine time, the relationship between images and text, and the future of studying Byzantium.
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In this episode, Dr. Cory Hunter speaks with Sindy Yang (MAR ‘25) about his research on gospel music. They also discuss how his background training in music performance, religion, and theology brings innovation to his methodologies as a scholar. What results is a freshness brought to the discipline of musicology at large, and new ways in which these methodologies and approaches impact the broader scope of interdisciplinary studies of music, religion, and theology.
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In this episode of the ISM Fellows Podcast, Dr. Samantha Slaubaugh offers insights into her work on Douceline of Digne as a rare paradigm of liturgical practice among the Beguines of Marseilles. Dr. Slaubaugh also discusses the way in which Douceline of Digne, through her unique practice of liturgy, is situated in her medieval community that reveals the unexpected fragility of her sociopolitical circumstances.
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As an ethnographer of art, Dr. Katie Dimmery’s work focuses on the ways in which communities and identities are shaped by artistic ritual in the southwest region of China. Her research attends to the practices of indigenous ritualists and how these practices are situated in regional ethnic and social politics. This conversation traces the history of one particular valley in southwest China and how aesthetics and artistic traditions are being enacted today by the people who live there.
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Dr. Ephrem Aboud Ishac discusses his work with ancient Syriac manuscripts, the ways the church and scholarly communities can benefit each other, and the challenges facing the preservation of these ancient texts.
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Jon Bullock, a postdoctoral fellow at Yale’s Institute of Sacred Music, joins Ariana Hones (M.Div ’25) for a conversation on how radio is used as a tool for shaping Kurdish identity. Using the lens of ethnomusicology and the sacred, Jon discusses the impacts of colonialism and technologies of sound, such recording and broadcasting on Kurdish music.
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Dr. Jeremiah Lockwood joins the Fellows Podcast to chat about the sounds and stars of the cantorial golden age. He also talks about keeping busy — and keeping up— with a rich and varied life as both academic and professional musician.
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Grounded in themes of tribulation, redemption, and hope, ISM Fellow and theater professor Dr. Ron Jenkins joins Ariana Hones (M.Div. ’23) in conversation on the transformational power of Dante’s Divine Comedies inside prisons. In this episode, Dr. Jenkins discusses his course, Gospel, Rap, and Social Justice, and his use of Dante’s poetry to create theater pieces with currently and formerly incarcerated people. He states, “bringing Dante and art into prison is a way of humanizing a dehumanizing situation.” Dante serves as both a mirror reflecting the injustices in our prison systems as well as a catalyst for freedom.
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In his interview with ISM M.A.R. student Madeleine Hutchins ’23, ISM Fellow and religious ethicist Ryan Darr pulls no punches in talking global climate crisis: “…we’re entering a mass extinction event, which would be, from what scientists have found about life on Earth, the sixth in Earth’s history — and the first caused by one species in particular.” Darr is a Postdoctoral Associate in Religion, Ecology, and Expressive Culture, and from 2019 to 2022 was a Postdoctoral Research Associate in Philosophy and Religion at the Princeton University Center for Human Values. He holds a Ph.D. in Religious Studies from Yale University.
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ISM fellow and composer Bongani Ndodana-Breen explores his latest composition fusing gospel text, pan-African sound, and the passion tradition. He also chats about his earlier operatic work that engages the sounds and figures of South Africa’s anti-apartheid struggle.