Author Elyssa Friedland discusses her transition from lawyer to novelist and being a creative writer in the modern world.
Over 40 percent of the Earth’s surface is open ocean that is over 200 miles from the nearest shore. These waters exist outside national jurisdiction and are almost entirely beyond the reach of law. Our guest, investigative journalist Ian Urbina, spent five years risking his life in these anarchic places to chronicle the lives he witnessed there. He met shackled slaves on fishing boats, joined high-speed chases by vigilante conservationists, rode out violent storms, and observed near mutinies. He lived on a Thai vessel where Cambodian boys worked 20-hour days processing fish on a slippery deck, shadowed a Tanzanian stowaway who was cast overboard and left to die by an angry crew, and met men who had been drugged, kidnapped and forced to cast nets for catch that would become pet food and livestock feed. We speak with Ian about the sprawling and dystopian world he chronicles in his acclaimed book, The Outlaw Ocean.
Philosopher and musician David Rothenberg has spent decades collecting and studying the calls of birds and whales. In the early 2000s, he began playing along with them, taking his clarinet and saxophone to some of the furthest corners of the planet. The result is a new form of music that invites us to question where art ends and science begins. We speak with David about his unorthodox project, Darwin’s theory of sexual selection, and what it’s like to accompany the sounds and songs of beings who may vanish from the earth.
In the 1970s, scientists proposed what has become known as the Gaia Hypothesis: the idea that earth is best understood not as a passive substrate or background to life but as a life form in its own right. Our guest, journalist Ferris Jabr, believes the time has come to revive that idea. To understand how sentient creatures have evolved on this planet, he suggests, is not only to grasp that animals—human and otherwise—are offshoots of an evolutionary tree; it’s to see the tree itself as one element of a dynamic, interrelated organism. We speak with Jabr about the art of science reporting, the limits of life, and what the white cliffs of Dover are made of.