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In this lecture, Professor Paul Fry examines the work of two seminal New Historicists, Stephen Greenblatt and Jerome McGann. The origins of New Historicism in Early Modern literary studies are explored, and New Historicism’s common strategies, preferred evidence, and literary sites are explored. Greenblatt’s reliance on Foucault is juxtaposed with McGann’s use of Bakhtin. The lecture concludes with an extensive consideration of the project of editing of Keats’s poetry in light of New Historicist concerns.

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In this lecture, Professor Paul Fry explores Fredric Jameson’s seminal work, The Political Unconscious, as an outcropping of Marxist literary criticism and structural theory. Texts such as Shelley’s “Ode to the West Wind” and Shakespeare’s seventy-third sonnet are examined in the context of Jameson’s three horizons of underlying interpretive frameworks–the political, the social, and the historical, each carefully explained. The extent to which those frameworks permeate individual thought is addressed in a discussion of Jameson’s concept of the “ideologeme.” The theorist’s work is juxtaposed with the writings of Bakhtin and Levi-Strauss. The lecture concludes by revisiting the children’s story Tony the Tow Truck, upon which Jameson’s theory of literature is mapped.

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This first lecture on social theories of art and artistic production examines the Frankfurt School. The theoretical writings of Theodor Adorno and Walter Benjamin are explored in historical and political contexts, including Marxism, socialist realism, and late capitalism. The concept of mechanical reproduction, specifically the relationship between labor and art, is explained at some length. Adorno’s opposition to this argument, and his own position, are explained. The lecture concludes with a discussion of Benjamin’s perspective on the use of distraction and shock in the process of aesthetic revelation.

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In this first lecture on the theory of literature in social contexts, Professor Paul Fry examines the work of Mikhail Bakhtin and Hans Robert Jauss. The relation of their writing to formalist theory and the work of Barthes and Foucault is articulated. The dimensions of Bakhtin’s heteroglossia, along with the idea of common language, are explored in detail through a close reading of the first sentence of Jane Austin’s Pride and Prejudice. Jauss’s study of the history of reception is explicated with reference to Borges’s “Pierre Menard, Author of the Quixote” and the Broadway revival of Damn Yankees.

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In this lecture on the postmodern psyche, Professor Paul Fry explores the work of Gilles Deleuze, Felix Guattari and Slavoj Žižek. The notion of the “postmodern” is defined through the use of examples in the visual arts and architecture. Deleuze and Guattari’s theory of “rhizomatic” thinking and their intellectual debts are elucidated. Žižek’s film criticism, focused on the relation between desire and need, is explored in connection with Lacan.

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In this lecture on the psyche in literary theory, Professor Paul Fry explores the work of T. S. Eliot and Harold Bloom, specifically their studies of tradition and individualism. Related and divergent perspectives on tradition, innovation, conservatism, and self-effacement are traced throughout Eliot’s “Tradition and the Individual Talent” and Bloom’s “A Meditation upon Priority.” Particular emphasis is placed on the process by which poets struggle with the literary legacies of their precursors. The relationship of Bloom’s thinking, in particular, to Freud’s Oedipus complex is duly noted. The lecture draws heavily from the works of Pope, Borges, Joyce, Homer, Wordsworth, Longinus, and Milton.

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In this lecture on psychoanalytic criticism, Professor Paul Fry explores the work of Jacques Lacan. Lacan’s interest in Freud and distaste for post-Freudian “ego psychologists” are briefly mentioned, and his clinical work on “the mirror stage” is discussed in depth. The relationship in Lacanian thought, between metaphor and metonymy is explored through the image of the point de capiton. The correlation between language and the unconscious, and the distinction between desire and need, are also explained, with reference to Hugo’s “Boaz Asleep.”

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In this lecture, Professor Paul Fry turns his attention to the relationship between authorship and the psyche. Freud’s meditations on the fundamental drives governing human behavior are read through the lens of literary critic Peter Brooks. The origins of Freud’s work on the “pleasure principle” and his subsequent revision of it are charted, and the immediate and constant influence of Freudian thought on literary production is asserted. Brooks’ contributions to literary theory are explored: particularly the coupling of multiple Freudian principles, including the pleasure principle and the death wish, and their application to narrative structures. At the lecture’s conclusion, the professor returns to the children’s story, Tony the Tow Truck, to suggest the universality of Brooks’s argument.

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In this second lecture on deconstruction, Professor Paul Fry concludes his consideration of Derrida and begins to explore the work of Paul de Man. Derrida’s affinity for and departure from Levi-Strauss’s distinction between nature and culture are outlined. De Man’s relationship with Derrida, their similarities and differences–particularly de Man’s insistence on “self-deconstruction” and his reliance on Jakobson–are discussed. The difference between rhetoric and grammar, particularly the rhetoricization of grammar and the grammaticization of rhetoric, is elucidated through de Man’s own examples taken from “All in the Family,” Yeats’s “Among School Children,” and the novels of Proust.

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In this lecture on Derrida and the origins of deconstruction, Professor Paul Fry explores two central Derridian works: “Structure, Sign, and Play in the Discourse of Human Sciences” and “Différance.” Derrida’s critique of structuralism and semiotics, particularly the work of Levi-Strauss and Saussure, is articulated. Deconstruction’s central assertions that language is by nature arbitrary and that meaning is indeterminate are examined. Key concepts, such as the nature of the text, discourse, différance, and supplementarity are explored.