As Dr. Joseph Drew Lanham writes in his beautiful and deeply moving memoir, The Home Place: Memoirs of a Colored Man’s Love Affair with Nature, from his earliest days growing up in the piedmont forests and fields of Edgefield, South Carolina, he dreamed of flight. This fascination with the aerial journeys of the blue jays that stole his grandmother’s pecans and the crows that invaded his father’s cornfield sparked Dr. Lanham’s lifelong dedication to studying birds and to exploring what it means to be a “rare bird” himself: a Black man in a field that is overwhelmingly white and an ecologist finding freedom through wildness on land where his ancestors were enslaved. In addition to advancing scientific understanding of wild animals, Dr. Lanham has written extensively about the deep and often overlooked connections between how we treat nature and how we treat our fellow humans. In this episode, we speak with Dr. Lanham about how bird lives and Black lives intertwine in the story of the Carolina Parakeet, the language-defying joy of watching swallow-tailed kites, and why Emily Dickinson was right in declaring that “hope is the thing with feathers.”
Philosopher and musician David Rothenberg has spent decades collecting and studying the calls of birds and whales. In the early 2000s, he began playing along with them, taking his clarinet and saxophone to some of the furthest corners of the planet. The result is a new form of music that invites us to question where art ends and science begins. We speak with David about his unorthodox project, Darwin’s theory of sexual selection, and what it’s like to accompany the sounds and songs of beings who may vanish from the earth.